Panasonic Varicam LT Pro Kit See similar items below. Filmmaker Ben Meredith reviews the Panasonic VariCam LT in the in-depth 50-minute video review found below. It can be swiveled to either side or any point in between, and it can tilt to accommodate high or low-mode work. INPUT 1/2 – 5-pin XLR for a dual-channel mike feed. Finally, film´s […] With a RED, for example, the settings are so quick to change, itâs all at a touch of a button. Brand Quality: 4.3/5 Value For Money: 4.7/5 Expert Opinions: 4.4/5 User Popularity: 5/5 Overall Rating: 4.9/5. The 7Q+ records the signal as DNG (digital negative) files, one file per frame, using one or both SSD slots depending on bit depth and frame rate; it also captures embedded audio to a .WAV file, one file per clip (each clip has its own subdirectory in which all associated files are recorded). Or, switch the grading control to EXTERNAL, and you can control LUT selection and CDLs directly using a network-connected app like Pomfort LiveGrade. ), in color focus assist (colored peaking), square focus assist (focus squares), and monochrome focus assist to turn the EVF display black and white. I also used my own Canon 70-200mm f/2.8L and 24-70mm f/2.8L lenses. Zacuto eye and Zacuto axis make the Varicam LT perfect. A flip-open door covers a slot for an optional Wi-Fi module, with a USB HOST port for connecting the Wi-Fi module or a 4G/LTE modem. Two non-illuminated gray squishy buttons and a recessed thumbwheel are next in line. Panasonic Varicam LT The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications as the larger VariCam 35 cinema camera. The Cinema VariCam LT features outstanding image quality that allows you to achieve your “VISION”. I’ve never used a camera that was faster or easier to line up. When you turn power off, the camera waits 3 seconds before shutting down—yes, you have some time to change your mind, and turn it back on again with no interruption in operations. Those cards are reliable and they work, the whole workflow is simple. It’s not as bad as a RED ONE (90 second boot time), but even so, it gets a bit tedious (tip: stay in the menus and change as many things as you need before rebooting; it saves time). I reviewed the camera in June 2016 and there was a lot to like: a 4K-capable Super 35mm camera in a lightweight magnesium body with interchangeable lens mounts as well as many of the same features as its bigger brother the Varicam 35. It shares its sibling’s powerful core specifications and stunning capabilities, from the 4K 60 fps recording and Super 35 MOS sensor to the renowned 14 stops of dynamic range and 240 fps slow motion image capture. If you get one of the shoulder mounts (there’s a “Cinema Style” and an “ENG Style”; both have 15mm LWS rod sockets and mounting rosettes in front, while the Cinema Style I tested has a longer front extension and allows 15mm rods in the rear), its dovetail plate attaches to a couple of the baseplate sockets while still leaving others free. At Panasonic, we believe that technology should move us all forward. I could light something with practical lights as opposed to using a gaffer so it might save on crew too. The rest of the operator’s side is taken up by the weather-sealed media compartment. The basic rundown is that the LT will shoot full-frame up to 60 fps (50 fps at “PAL” frequencies), and crop-mode up to 240 fps (200 fps PAL). I donât want to make too much of the switching off and on of the camera, especially if youâre coming from film, itâs not a bad thing. Pressing VIEW turns the screen into a monitor, showing the same information displayed in the EVF. Niyazi Nişancık. Panasonic AU-VSHL2 Shoulder Pad for VariCam LT Review. Unfortunately, changing MAIN CODEC, MAIN PIXEL, or SDI RAW (or system frequency) forces you to reboot the camera. Those frustrated with various Sonys that can’t use a LUT during playback will be happy to note that the VariCam allows LUTs and CDLs to apply for playback as well as while recording. If youâre in the doco world, you pretty much set the camera and go; you donât really change it, especially if youâre doing synch. No matter: the beauty of a floating control panel like this is that it can be placed where you want it, not where the camera designer thinks it should go. 1080p proxy recording. I think thatâs why they have developed such a good EOS EF mount. Panasonic Varicam 4K Super 35mm Cinema Camera without Accessories ... Panasonic VariCam LT. Be the first to review this product . It was the same with ALEXA â you used to have to turn off and on â but thatâs all changed with the new models. Two user-assignable buttons let you assign various functions for quick access. Panasonic VariCam LT (AU-V35LT1G) 4K EF Mount Super 35 Cinema Video Camera with a Super 35mm Sensor (Body only). With the LT youâve got the sensitivity versus the lack of raw versus some functionality but for us as a company I can see the LT working quite well for doco work. Note that different color renderings can be set for main and proxy recording; the EI status shows not only a setting of ISO 5000 but a base ISO of 5000; that raw output is set to 10-bit UHD while UHD is also recorded on the P2 card. One workflow, no matter which camera you choose, you won’t need anything else. ISO 5000 is a game changer. While the EVF and CAM menus are generated internally, the rest of the display, including markers, WFM, focusing aids, and lookaround, is carried in the video signal. Field testing the Panasonic Varicam LT: a hands-on review for solo shooters If you aren’t that familiar with the Panasonic Varicam LT it was launched 3 years ago. Cinematography & Cameras. A single 256 GB P2 Express card holds about 90 minutes of AVC-Intra4K 422 at 24fps, or 73 minutes at 30fps; 60fps AVC-Intra4K LT will fill the card after 63 minutes.
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