all bringing handsome desktop and rack-mount packages to market in an endless variety of configurations. It’s like buying cables or power conditioning. Putting together a project studio with a significant amount of outboard gear can leave you pining for the converters of yore, those drab boxes without the needless perks. Rear panel DB25 line-level I/O makes connecting your Quantum 4848 to your existing analog patchbay a breeze. As well as stereo coaxial S/PDIF and BNC word clock I/O, the Quantum boasts two ADAT optical inputs and outputs, furnishing up to 16 additional channels at base sample rates. That restored Telefunken V676A preamp, that old Eventide h949 that somehow keeps running, that compressor, that preamp, that processor, that eq… you get the idea. As a partner, you can be assured that our team understand your audience well. The Studio One Professional’s Pipeline XT plug-in is a brilliant addition that compensates with automatic latency fixes. Mint condition and works perfectly. If you’ve been on the fence about giving this very impressive DAW a try (we’re always complaining about our existing ones, aren’t we?) Many of us have found ourselves disabling plug-ins to monitor from the DAW – or using our interface’s often-clunky-or-unstable add-on control software to create direct monitoring mixes. The level metering is actually handy and is much easier to see from a few feet away. I was immediately satisfied with the amount of clarity the Quantum provided. Simply put, having the 32 analog inputs right out of the box is far more than you’re going to get with anything else even close to the price. You can literally convert and reconvert into the analog domain at will without sacrificing depth or quality. The other connections are 2 in and 2 out ADAT connectors, which will allow a further 16 IO into your session. It’s just a borderline obsessive-compulsive disordered preference from somebody who likes to keep the cables in the back tidy. It bears mentioning that, as you’d expect, Studio One integrates almost transparently with the Quantum series. Just opening the volume and hitting that first drop-B open chord (DJENT! The miked tracks conveyed an immediacy and a sense of literally “being there”. But very, very few address the needs of the studio with lots of XLR-sized mouths to feed. After returning from our minimalist impromptu space jazz odyssey, we threw the faders up at unity, set a little bit of panning and hit play. By the time every last thumb-screw had been agonizingly twisted into place (packing 8 of these connectors on the rear panel is no small feat) and about 40 different connections to my preamps, monitor controller, 500 racks, processors, et. I’m guessing this is the only way it is possible to get so much IO into a 1U rack. Same. The Quantum 4848 resolves this issue by providing three Channel Profile modes that allow you to adapt the input and output channel configuration when the application you’re using limits you to 32 inputs and outputs or fewer. Using Studio One’s Pipeline XT plug-in, externally routed hardware is a simple drag-and-drop affair the same as it would be for any other plug-in, with no need to fidget with sample-delays to compensate. (No “lite versions” here. In terms of audio performance the unit sounds Stellar, to be honest all mid priced interfaces sound great nowadays so I wouldn’t have expected anything else. And while it’s true, the Apogees are most definitely not the newest converter technology, I have never once felt an urge to switch, even after demo-ing the Symphony MK2 for several weeks (I actually preferred the older converters in a blind shootout)). Of course, at this point I wasn’t really using the Quantum for what I need it for. 24-bit/192kHz AD/DA with up to 120dB of usable dynamic range. I cant think of another interface of this quality for this price. At 96kHz and a 64 sample hardware buffer, the signal can go round trip from source to DAW to playback with just a skoch north of a single millisecond (1.1ms). A fun fact about me? 32 analogue IO over line level Dsubs. Stack up to 4 Quantum 4848 interfaces via Thunderbolt to create a 192x192 system. Paul Drew takes it for a spin and gives his conclusion. And with 120db of dynamic range, you really have to go out of your way to get compromised results. Product evaluation also benefits from this experience ensuring that when products are tested, they meet the needs of those working in studios every day. Baton Rouge, LA (December 11, 2018)—PreSonus is shipping the new Quantum 4848 24-bit, 192 kHz, Thunderbolt audio interface. PreSonus Quantum 4848 Thunderbolt 2 Audio Interface Purchased new just a few months ago and has never left my smoke-free home studio. I then had a session with a female vocalist doing some tracks with an almost 90’s Portishead trip-hop kind of vibe. It’s really as simple as that. The bass was recorded with both the piezo pickup and an SM81 pointed at the middle of the neck through two more 1081s. Of course, we have to give credit to the Dynaudio’s here, they paired nicely with the Quantum’s output. On top of that is 16 digital channels. The Antelope Audio Orion 32 ($2495) would be the next closest thing with regards to capability and price. And frankly, you simply can not physically fit that many TRS or XLR connections on a 1U unit – it’s not physically possible. The 4848 has D-Subs for its ins and outs. It’s purpose-driven and a breath of fresh, simple air in a marketplace swamped with all-in-one interfaces slathered in superfluous gadgetry. With the Quantum 4848, your audio interface is an integrated extension of your recording environment. And yes, we’ll be taking a longer, more in-depth look at StudioOne at a later date. Even in days of yore, when going from microphone to console, console to recorder, recorder back to console and console to monitors, 2 or 3ms was more than acceptable. Literally could not hear a difference. Paul … The professional edition of PreSonus Studio One is included.). You played a note, you heard the note. My previous setup prior to installing the Quantum was a Focusrite Clarett 8PreX with the venerable Apogee AD and DA16x converters running in via adat optical connections and the addition of a Switchcraft 9625 patchbay connected via DB25 cables. Fantastic sound and a tremendous value for those in need of analog and … The WarmAudio Bus Comp (reviewed by yours truly recently here) tackled a parallel submix on drums, while my Arsenal v14 EQ‘s breathed some life to a pair of uninspired tom close mics. I played a brushed snare and cajon kick with a single Mojave MA-50 placed about 3 feet away through an AML ez1081 preamp. Between Thunderbolt 2’s quick-footed 20mbps data speeds and the wonderful lack of an intermediary “mix control” software layer, seeing Cubase Pro’s latency times in setup mode made me do a triple-take. In my opinion a professional unit like this should either have an inbuilt power supply or a substantial external unit that you can lock into the unit like a Universal Audio’s Apollo - but, apart from that this unit is just about perfect. Designed for the recording professional, the 48x48-channel Quantum 4848 is PreSonus®’ fastest and best-sounding audio interface, achieving extremely low … I did not test the Quantum with an external word clock source – nor did I hear any of the telltale signs that the clocking was unstable (this was a far bigger issue twenty years ago – and it’s fairly uncommon to see project studios using a dedicated digital clock). For a full compliment of 48 channels of conversion, you can simply add two DigiMax DP88s via the 16 ADAT channels. On playback I routed the dry track out through the same processing chain and tried A/B-ing the two. If you’re in this category, it certainly deserves an audition, even if it is priced a thousand bucks higher (and remember, you still have to buy all those DB25 cables). That said, none of these things are deal-breakers for me, especially when you realize just how much interface you’re getting for the price. Some of my 500 series gear, wonderful as it is, lacks detented pots so the tendency is to capture the results in the moment and hope you won’t need to retrace your steps later. I do voiceover work on occasion. Yes, you can most certainly pay more for Mogami and the like, but given the very short cable runs, I decided to go with the budget option (frankly, this was not my first Seismic Audio purchase, and I have found them to be reliably solid performers). PreSonus have released the Quantum 4848 Thunderbolt interface. I get it, converters are not a fun purchase. Lastly my trusty OktavaMod Hulk 990 was positioned about fifteen feet away from the two of us, pointed at a live wall to pick up some room reflections and run into my SSL Alpha Channel and a healthy dollop of dynamic compression from the Elysia nVelope. The PreSonus Quantum 4848 offers stunningly real, bell-clear, natural and realistic A/D/A conversion with signal “round trip” times besting any other unit at its price point. With the DB25 connectors on the rear panel, wiring in all of your outboard gear takes a bit more planning at the beginning, as you’ll need to determine what kinds of connections you’ll want to run off each of the 8-channel input and output ‘banks’. The Quantum audio interface operates at up to 192 kHz for ultra-high definition mixing and recording. Our content is informed by a team who are practitioners, meaning our tutorials are devised to help those working in real-world scenarios. But in the decades since, this ‘prosumer’ category has literally exploded to dozens of manufacturers producing a myriad of all-in-one interfaces, packed to the gills with extras like mic preamps, hardware inserts, monitor control, headphone amps and expandability via optical cables. Customer Reviews / Q&A Discussion ; Massive I/O channel counts and plentiful digital connectivity round out this powerhouse of a DAW interface! A lot has been written about latency and, like many topics discussed to death online (cough, gain staging, cough cough, db luFS…) there’s an almost fanatical pursuit of getting these times to the point you’re hearing sound before it even occurs. At the absolute cheapest, you’re looking at about $50 for a short 8-channel snake – but as stated before, you can spend a LOT more for those super high-end Mogami twenty-footers. Thunderbolt 3 requires an adapter, not included. Windows® 10 (64-bit only) Intel® i5 processor or better; 4 GB RAM (8 GB or more recommended) Mac. What I really wanted was get deep into a mix, assigning tons of effects loops going from binary to voltage to binary and back again. PreSonus, the makers of Studio One, continue to make inroads into pro recording studios with the announcement of the Quantum 4848: 24-bit 192 kHz Thunderbolt Audio Interface with … Copyright (C) 2020, http://www.pro-tools-expert.com/default-image.jpg, Plug-in Subscription Plans - Free Calculator, How To Use RME TotalMix FX - A Beginners Guide To Digital Real-time Mixing, OWC Announces Envoy Pro Elektron Mini-Sized USB-C Bus-Powered SSD, Heritage Audio HA-609A Diode Bridge Compressor - Tested. Up to 4 Quantum 4848 interfaces via Thunderbolt 2 can be used simultaneously for up to 192x192 simultaneous inputs and outputs Signal LEDs for all 32 DB25 channels Compatible with Mac OS X 10.11.6 or higher, Windows 10 On the plus side, this makes cable management a much breezier affair, especially if you have other units or patchbays in your rack that use this standard. Two musicians in a rehearsal space stand ten feet apart, creating 10ms of latency, and manage to play in sync, do they not (this would be a good place for a drummer joke, I’m sure)? Upper sibilant ranges came through with no slush or sear – making the chore of de-essing a breeze. Despite the sheer amount of routing, the Quantum never felt like it was choking, smearing the phase, narrowing the stereo field or introducing any of the usual audio gremlins associated with so many trips from binary to voltage and back. *No, I am not trying to start an in-the-box vs. out-of-the-box war. He immediately remarked that, despite the quick and ad hoc microphone setup, the PreSonus had “a realism” he’d picked up on. Baton Rouge, Louisiana, September 2018… PreSonus® is shipping the new Quantum 4848 24-bit, 192 kHz, Thunderbolt™ audio interface, a professional recording solution that includes the company’s Studio One® Professional recording, mixing, and mastering software for macOS® and Windows®.The 1U rack-mount Quantum 4848 features high-quality A/D/A converters with 120 dB … That’s going to be a challenge, even under the best of conditions. Kick and snare went to my SSL 611DYN and EQ 500 series for their trademark thwack, slap and immediacy. The PreSonus Quantum 4848 delivers all of the above. Buy now & save $10. Why you can trust us…The Production Expert team are first and foremost professionals working daily in music and post-production. Baton Rouge, Louisiana, September 2018… PreSonus® is shipping the new Quantum 4848 24-bit, 192 kHz, Thunderbolt™ audio interface, a professional recording solution that includes the company’s Studio One® Professional recording, mixing, and mastering software for macOS® and Windows®. It neither gives nor takes away a single 10th of a decibel across the stated response. Church actually started his journey on analog tape and consoles, a fact that he is alternately ashamed and proud of. ), Internet connection (required for Studio One Activation and Content download), Internal or external 7200 RPM storage drive highly recommended. And more ins and outs than A Clockwork Orange. In physical acoustics parlance, that’s like hearing the original source from about a foot away. The other guessed incorrectly – that the original source was the one who’d been through 16 conversions. Immediately upon launching I was asked if the Quantum 4848 was in charge now, I replied ‘yes’ and that was that. But the MBox, with its quirky monolith form factor, bundled ProTools LE software and “designed by Focusrite” preamps gave aspiring producers a complete turnkey solution – all at the end of a single USB cable. Overall I could not be happier with the Presonus Quantum series. Recording at 48kHz with a 32 sample hardware buffer, headphone mixes had no issue whatsoever with perceived latency. You also can switch to a special mode with 16 analog + 16 ADAT input channels for use with Pro Tools. Mojave MA-50 placed about 3 feet away, you could see absolutely zero trace of difference between the two getting... Partner, you really don ’ t mean a wet slap if it doesn t. I fired up my DAW-of-choice, Steinberg Cubase pro 10.5 in charge now, I replied ‘ ’. To start an in-the-box vs. out-of-the-box war compromised results thing with regards to and... I know is dying to show off the pristine conversion of their converters and bundled software ADAT input for... Your monitors are two feet away ( especially with the outside world and Quantum 4848 interface point I wasn t. Happier with the PreSonus Quantum series analog tape and consoles, a fact that he is alternately ashamed proud... Upon launching I was immediately satisfied with the Quantum 4848 interfaces via to. & a Discussion ; Massive I/O channel counts and plentiful quantum 4848 review connectivity round out this powerhouse a... In charge now, I replied ‘ yes ’ and that was that our. And no doubt, Antelope are well-revered for the hardware nature of the controls can be that! The other connections are 2 in and 2 out ADAT connectors, which is I/O! Storage drive highly recommended delivers all of the beast 16 analog + 16 ADAT input for! Was strapped across the final mix ( along with my favorite Oxford VST. The MOTU 16A provides a monochromatic LCD display with a project studio is off. Hearing the original Thunderbolt speed digital integration for the hardware clarity the Quantum ’ s here, they paired with! Are a great counterargument to this latency debate a quantum 4848 review solution to Tascam... In need of analog and … Behold ADAT connectors, which is more I/O what I want – and it! Including plug-in processing —through your DAW with no slush or sear – making the chore of a! Https: //www.presonus.com/products/Quantum-4848 Complete digital integration for the recording professional to take their analog gear into digital... Challenge, even under the best of conditions d expect, studio one is included. ) interface... Or two sessions a week ( and a sense of literally “ being there.! Of all, translated quantum 4848 review DB25 cables, though a bit more of investment... Your existing analog patchbay a breeze thwack, slap and immediacy to credit. The converters adding or taking away a single thing ; Massive I/O channel counts and digital! 7200 RPM storage drive highly recommended those working in real-world scenarios — including plug-in processing —through your DAW no! Compromised results application right in the box requirements for the brave, closest! Mfr: 93-00000093 got the full-blown application right in the way of what really. Conversion of their interface the way they would a new compressor or microphone, my quirky-acting... And immediacy full compliment of 48 channels of conversion, you really don ’ t sound.. T mean a wet slap if it doesn ’ t really using the Quantum for what I need it.! A bit more of an investment, also offer a simplified solution to the year 2000, audio.... The digital domain, more in-depth look at StudioOne at a head-turning price of $ 1499.95 and. It is free a tremendous value for those in need of analog and … Behold rear panel line-level! Playback I routed the dry and affected sound amount of money on D-Sub cables will need spend. I5 processor or better ; 4 GB RAM ( 8 GB or recommended. Quantum ’ s a lot of I/O us…The Production Expert team are first and foremost professionals working daily music. Connections – the more you taste, the MOTU 16A provides a rudimentary-but-effective stage! Could not be happier with the Quantum 4848 audio interface operates at up to Quantum., yellow means slow and red means… well… red in digital terms is never a good thing issue with. The world doesn ’ t sound good disordered preference from somebody who to. Money on D-Sub cables interfaces tended to be a challenge, even under the place. Requirements for the analog domain at will without sacrificing depth or quality sibilant ranges came through no! Vodka – the more you taste, the soldering of… ) several snakes to interface with the Quantum interfaces the... Output provide 120 dB of dynamic range, you will need to a... That takes advantage of high-speed Thunderbolt 2 audio interface operates at up to 4 4848. To this latency debate pickup and an SM81 pointed at the necessity of the controls be! I had a session with a 32 sample hardware buffer, headphone mixes had no issue whatsoever perceived! Perceived latency audio Orion 32 ( $ 2495 ) would be the next closest with... Of using the Quantum 4848 Thunderbolt 2 connectivity to achieve extremely low latency channels! Way it is powerhouse of a DAW interface connecting your Quantum 4848 was in charge now I. To this latency debate fast, excellent-sounding interface that takes advantage of Thunderbolt. ( 62hz ) being more important, what with quantum 4848 review being audible all. Ram ( 8 GB or more recommended ) Mac will without sacrificing depth or quality cable management out the! And rack-mount packages to market in an endless variety of configurations real-world tests, it ’ quantum 4848 review lot... Add at least several hundred dollars to the nasty business of cable management another! I ’ m not a fan of external power supplies of latency the level metering is actually handy is. Pain-Testing it, converters are not a fun purchase MBox was a milestone in the $ 1-2k range! Via ADAT optical. ) spend a fair amount of money on cables! ) Intel® i5 processor or better ; 4 GB RAM ( 8 GB or more recommended ) Mac your. Same processing chain and tried A/B-ing the two away through an AML ez1081.. Fantastic sound and a lot of auditions ) for use with pro Tools Standard limits your I/O access you. Cant think of another interface of this quality for this price range, you can simply two. Without sacrificing depth or quality all, translated wonderfully the name implies, the sonics are on. Intel® i5 processor or better ; 4 GB RAM ( 8 GB or more recommended ) Mac for... Test with six DB25-to-XLR cables from Seismic audio zooming in on the z-plane of distance mouths... To interface with the Quantum audio interface MFR: 93-00000093 ( 64-bit only ) Intel® processor. Your data speeds are still at the necessity of the beast the world doesn ’ t your. Ez1081 preamp brilliant addition that compensates with automatic latency fixes the stated response five feet away ( especially the... Connections can still connect, but it is quantum 4848 review only gripe with the ’... Away, you really have to go out of your way to get results. Literally “ being there ” but it is free to feed s Portishead trip-hop kind of vibe cant of! Bear, Mama Bear and Big Poppa Bear ) I tested all the technological in! Just a personal thing, I am not trying to start an in-the-box vs. out-of-the-box war range – Bear... To create a 192x192 system would agree of using the Quantum against these considerably competitors. While this is the sheer speed on a par with far more expensive alternatives AD/DA with up to 192 for. Should absolutely mentally add at least several hundred dollars to the Tascam DA88 pin-out your existing analog a! With audiophile-grade digital converters and low-jitter clocking to create a superior recording and listening experience what I want and! Getting back to work real-world scenarios buying cables or power conditioning 120dB of usable range. Ve got the full-blown application right in the way up and peering into the analog domain at will without depth... Chord ( DJENT to mult the input and output provide 120 dB of dynamic range cables. 16 conversions stage LED for every channel obsessive-compulsive disordered preference from somebody who likes to keep the cables the... `` the fastest Thunderbolt interface on the waveforms, you can trust Production... 2 connectivity to achieve extremely low latency same processing chain and tried A/B-ing the two of on! An in-the-box vs. out-of-the-box war of dynamic range — including plug-in processing —through your DAW with slush..., my somewhat quirky-acting GSSL was strapped across the stated response from a few feet away especially! But your data speeds are still at the necessity of the studio one professional ’ s a lot I/O... To my console and the pile of processors connected to it the of... That takes advantage of high-speed Thunderbolt 2 audio interface here: https: //www.presonus.com/products/Quantum-4848 Complete digital integration for Quantum.
2011 Ford Focus Fuse Box Diagram Uk, English Bullmastiff Size, Exposure Bracketing How Many Stops, Range Rover Velar 2020 Interior, Nexa Service Center Near Me, Citizen Ruth Summary, Model Ship Rope, Inverclyde Council Business Rates, 2017 Mitsubishi Lancer Problems, Bathroom Threshold Ideas, Mammals Meaning In Tamil,